For over eight years Squire Stage Combat has been working across the UK with students of all ages.
WHO WE ARE AND WHAT WE DO
Squire was founded with a very simple aim; to introduce students of all ages to the exciting world of stage combat and physical performance. As a collection of martial artists and industry stunt performers we wanted to share our love of all things action with the next generation of performers. Through Squire Stage Combat and Squire Circus we have gone from strength to strength, working with schools, drama clubs and professional clients all over the country.
We have developed a full range of workshops designed and delivered by industry professionals. We offer taster sessions in traditional stage combat both armed and unarmed, themed parties based around Duelling Jedi or Lucha Wrestling as well as Circus Skills from our team at Squire Circus. Our work includes stunt shows and live fight performances, taster sessions/team building workshops, actor masterclasses, summer school activities and much more. With a diverse team of performers ranging from sword masters and pro wrestlers to acrobats and award winning jugglers we have something for everyone.
All our instructors are professional performers working within film, TV and theatre and amongst us we have credits from The BBC, ITV, Royal Opera, Glyndebourne, National Theatre, Lucha Britannia, Marvel Studios and HBO. We take great pride in having been an influence on hundreds of young actors, many of whom are now professionals in the own right and we are always looking for the next challenge.
Our workshops are fast, physical and fun. They can be enjoyed by everyone since the focus is activity rather than performance. No one is asked to get up on stage unless they want to and all the fights, falls and flailing are fake! After all “the first rule of fight club is NO ONE GETS HURT!”
Need to excite your students about Shakespeare? Or maybe you just need a fresh approach to an old study text? Squire can help your students explore Shakespeare in a practical way, taking the plays off the page and onto the stage where they belong.
Shakespeare is responsible for some of the greatest plays ever written and by proxy some of the greatest fights. In fact most of Shakespeare’s actors were master fencers who insisted on adding as many fights as possible to every performance as a way of showing off their skills. In fact the first recorded Fight Director in the world was Richard Tarlton, Shakespeare’s lead actor until 1588. As a member of the prestigious London Masters of Defence Weapons Guild, it was Tarlton who first gave us the timeless duels of Romeo and Tybalt, Macbeth and Macduff and of course Hamlet and Laertes.
Stage combat by it’s very nature is physically active and requires practical solutions to creative problems. By studying the fights practically, students are encouraged to perform Shakespearean text and gain a greater understanding the plays and their staging.
The workshop covers basic armed and unarmed stage combat skills which are then utilised in a staging of a Shakespearian text related to the students current area of study. How do we deal with text in a fight? What can a fight tell us about the rest of the play? What is the context of this fight? What are the weapons and fighting styles like? How would these fights of been performed in Shakespeare’s day?
Unarmed Stage Combat
We work with a number of special education needs. We are however, fight directors and stunt performers and not special ed teachers and therefor ask for support from staff when working with students with special needs.
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